
Paradise Lost
by J.A. Jance
The ninth book in the Joanna Brady mystery series. Sheriff Brady must solve a murder case that hits close to home when a body is discovered in the desert, leading to revelations about secrets hidden in her small Arizona community.
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Spoiler Warning
This review may contain spoilers. Read at your own discretion if you haven't finished the book yet.
My Thoughts
J.A. Jance's Paradise Lost continues the Joanna Brady series with another solid entry that balances police procedural mystery with ongoing character development. By the ninth book in the series, Jance has fully established the rhythms of these novels, and fans will find familiar pleasures here alongside a compelling central mystery.
The story opens with the discovery of a body in the Arizona desert near Bisbee, where Joanna serves as sheriff. What initially appears to be a straightforward case quickly becomes complicated, with connections to Joanna's community and revelations that challenge her understanding of people she thought she knew. Meanwhile, Joanna is also navigating her personal life—her relationship with Butch, her role as single mother to Jenny, and the ongoing demands of being a female sheriff in a traditionally male profession.
What I appreciate about this series, and this installment in particular, is Jance's commitment to making Joanna's professional and personal lives equally important. Too many mystery series treat the protagonist's personal life as filler between cases. Here, Joanna's struggles to balance her demanding job with motherhood and romance feel genuine and consequential. The tension between her responsibilities creates realistic conflict that doesn't feel manufactured.
The mystery itself is well-constructed, with enough twists to keep things interesting without becoming convoluted. Jance plays fair with clues, allowing attentive readers to piece things together while still delivering satisfying revelations. The desert setting is vividly rendered—Jance clearly knows this landscape and community, and the specificity adds authenticity.
Joanna continues to be a compelling protagonist. She's competent without being superhumanly perfect, makes mistakes but learns from them, and shows real growth over the course of the series. Her relationships with her deputies, particularly Ernie Carpenter and Jaime Carbajal, feel lived-in and genuine. The departmental politics and bureaucratic frustrations add texture without overwhelming the narrative.
The supporting cast is strong. Butch, Joanna's love interest, is given real depth and agency—he's not just "the boyfriend" but a fully realized character with his own goals and challenges. Jenny, Joanna's daughter, is written as an actual child rather than a precocious prop, with age-appropriate concerns and reactions. Even minor characters feel like real residents of Bisbee rather than convenient plot devices.
Jance's prose is straightforward and efficient—this isn't literary fiction, but it's well-crafted genre writing that serves the story effectively. The pacing is generally good, though there are occasional lulls in the middle section. The balance between action, investigation, and character development works well most of the time.
If I have criticisms, they're fairly standard for long-running series. Some of the formula is predictable—Joanna will face skepticism because she's a woman, there will be tension between her job and family, the case will have unexpected personal connections. For readers new to the series, some references to past events might be confusing (though Jance does provide enough context to follow the current story). And occasionally the investigation mechanics feel slightly dated by contemporary standards.
The resolution is satisfying without being too neat. Jance doesn't tie up every loose end with a bow, which feels realistic for both the mystery and Joanna's personal life. The ending sets up future developments while providing closure on the current case, striking that balance series writers must achieve.
What makes this series work, and what makes Paradise Lost a solid entry, is Jance's respect for her protagonist and setting. Joanna Brady is a fully realized person, not just a vehicle for mysteries. Bisbee, Arizona feels like a real place with real people. The mysteries grow organically from character and setting rather than being imposed artificially. After nine books, that consistency is impressive.
Why You'll Love It
- Strong Protagonist: Joanna Brady is complex and compelling
- Arizona Setting: Vivid desert landscape and small-town dynamics
- Balanced Approach: Equal weight to mystery and character development
- Series Continuity: Ongoing character arcs and relationships
- Authentic Voice: Realistic police procedures and challenges
- Well-Plotted: Mystery with satisfying twists
- Accessible: Works reasonably well as standalone despite being #9
- Female Sheriff: Thoughtful handling of gender dynamics
Perfect For
Fans of the Joanna Brady series, readers who enjoy police procedurals with strong character development, those who appreciate Southwest settings, mystery readers who want protagonists with real personal lives, and anyone looking for competently written, engaging detective fiction. Great for fans of Nevada Barr, Dana Stabenow, or Margaret Coel.
Final Verdict
Paradise Lost is a solid, satisfying entry in the Joanna Brady series that delivers what fans expect while maintaining quality. Jance balances mystery plotting with character development effectively, creating a story that works both as a case-of-the-week and as part of Joanna's ongoing life. While it doesn't transcend genre conventions, it executes them with skill and intelligence. For readers invested in the series, it's another worthwhile installment. For those new to Joanna Brady, you might want to start earlier, but this demonstrates what makes the series worth reading. Reliable, engaging mystery fiction with a protagonist worth spending time with.
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